Waking up to the news that H.R. Giger has passed away … changes everything.
Introduced to his visionary work in the early 1980’s, my first impression of his art was a distinct combination of compelling attraction … followed by a visceral instinct to recoil. His bio-mechanical aesthetic that blended the organic shapes of a human form with elements of hardware and xenomorphic signatures had the powerful effect of pulling the viewer in just as it was pushing them away. Attractive and repellant. And brilliant.
When I turned toward costume crafting as a serious indulgence, both my son and immediately decided to take on building an Alien costume (inspired by Giger’s art, from the ‘Aliens’ movie). It wasn’t built from scratch, but rather the pieces were cast from an outside vendor and shipped to us. We spent many months working on the latex forms; trimming, sanding, patching holes, painting, finishing and finally, figuring out exactly how these pieces could be assembled in such a way to be inhabited. And inhabited is the word.
The Alien isn’t something you wear. It’s an art form that you inhabit.
Giger’s brilliant design brings some of the same cache along with it in the 3-D form of a costume. Its sinuous lines, its glossy patina, its shocking symmetry and phallic undertones all combine to draw people forward… even while disconcerting elements within the work are suggesting ‘step back’. That’s powerful art. It’s a powerful costume to inhabit, as well.
And every costume art project I have attempted since the ‘Alien’ has been informed by Giger’s style, always striving to emulate Giger’s power to create that same ebb and flow. Draw them in, push them away. Danger couched in beauty. A perfect organism.
The costume images here of the ‘Alien’ were photographed by Dim Horizon Studios at Sloss Furnace in Birmingham, Alabama. As enormous fans of Giger’s work themselves, Dim Horizon’s view through their lens is clearly influenced by their own deep respect and personal appreciation for H.R. Giger’s signature style. And I think it shows in their work. The photographs move today, from a celebration of fandom to a visual memorial celebrating uncompromising artistic genius.
The man is gone. The art remains. The legacy is forever.